Other than a chance to see how a couple of their classic songs are put over, it’s a disappointment, staged with little flair, hobbled by characters who fail to evoke sympathy. He was played, quite appropriately, by wrestler George 'the Animal' Steele in Tim Burton's affectionate biopic, 'Ed Wood' (1994).CAROUSEL, Rodgers and Hammerstein’s second musical play, opened on Broadway in 1945, on the heels of their smash Oklahoma! Following suit, the 1956 the film version showed up just a few months after the movie of Oklahoma! was released. The teen comedy 'Head' (1968) was one of Johnson's last appearances.

He was accorded one of his largest roles-in one of his worst films, 'The Beast of Yucca Flats' (1961)-as a Russian atomic scientist who walks right into an atom bomb blast and assumes the film's title role. He did appear in several non-horror films in bit parts ('Carousel' 1956 and 'Lady in the Iron Mask' 1952, as the mad executioner who keeps Patricia Medina locked up), but jobs pretty much dried up for Johnson in the 60s. Admittedly he wasn't called on to do much his physical presence and abilities to stare uncomprehendingly and lumber about menacingly were enough. Johnson was rarely ever given any dialogue and never really learned to act. His first film for Wood was the execrable but, unintentionally, hilarious 'Bride of the Monster' (1956), in which he originated the role of the mute, scarred Lobo, a role he reprised in Wood's 'Night of the Ghouls' (1959) and in the non-Wood directed 'The Unearthly' (1957). After years in the ring, Johnson played bits in the Ole Olsen and Chick Johnson comedy 'Ghost Catchers' (1944) and the low-budget film noir 'Behind Locked Doors' (1948).

Hulking, bald-pated Swedish wrestler who began making film appearances in the 1940s and became a minor cult figure playing mute, mindless killers in a number of schlock horror films, most notably in the films of Edward D.

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